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DTSTART;VALUE=DATE:20160816
DTEND;VALUE=DATE:20160822
DTSTAMP:20260619T165241
CREATED:20151122T002722Z
LAST-MODIFIED:20160805T114656Z
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SUMMARY:Ensemble-in-Residence at the Crescent City Chamber Music Festival - New Orleans\, LA
DESCRIPTION:For detailed information on the Crescent City Chamber Music Festival\, please click here.
URL:https://manhattanchamberplayers.com/calendar/ensemble-in-residence-at-the-crescent-city-chamber-music-festival-new-orleans-la/
LOCATION:Crescent City Chamber Music Festival\, New Orleans\, LA\, United States
ATTACH;FMTTYPE=image/png:https://manhattanchamberplayers.com/wp-content/uploads/2015/11/CCCMF-logo1.png
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20160818T180000
DTEND;TZID=America/Chicago:20160818T190000
DTSTAMP:20260619T165241
CREATED:20160510T222946Z
LAST-MODIFIED:20160811T213458Z
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SUMMARY:Beer Tasting and Informal Concert at Urban South Brewery - New Orleans\, LA
DESCRIPTION:This informal concert will pair great Classical music with some of New Orleans’ best local beer\, all in the fantastic space inside the very brewery that makes it!   \nSpecial beer flights will also be available for purchase.\nStick around for drinks with MCP musicians\nimmediately after the concert! \nProgram: TBA \nFor more information on the Crescent City\n Chamber Music Festival\, please click here.
URL:https://manhattanchamberplayers.com/calendar/beer-tasting-informal-concert-urban-south-brewery-new-orleans-la/
LOCATION:AZ
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DTSTART;TZID=America/Chicago:20160819T190000
DTEND;TZID=America/Chicago:20160819T213000
DTSTAMP:20260619T165241
CREATED:20160307T164629Z
LAST-MODIFIED:20160805T114321Z
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SUMMARY:Recital at Dixon Hall\, Tulane University for the Crescent City Chamber Music Festival - New Orleans\, LA
DESCRIPTION:For more information on the Crescent City\n Chamber Music Festival\, please click here. \nPre-Concert Talk: 7 PM\nConcert: 7:30 PM \nRestoration and Renewal \nNew Orleans is one of the great cities of the world\, and one with which we all associate the themes of restoration and renewal.  As we approach the end of the tenth year since the devastation of Hurricane Katrina\, we are continually reminded of these themes in the incredible recovery and rebirth we have seen in New Orleans.  For this program\, we will explore works whose stories also capture the essence of these themes.  Johannes Brahms\, who by 1890 had long been the world’s most famous and respected composer\, had lived an emotionally turbulent life\, and had largely withdrawn from society.  Even so\, as he composed his second string quintet\, his intended final composition\, he mustered every ounce of drama\, pathos\, and joy he had at his command to create one of his most impressive works.  Franz Schubert composed his F minor Fantasia for four-hands piano in the final year of his life\, both as a way of coping with a spurning of affection by his pupil and as a tribute to her.  Its melancholy\, brooding character combines with an ingenious\, fluid construction that belies the youth of its composer.  Ernest Chausson\, who also died young\, had premonitions that this would happen\, and only hoped that before it did he would have “made something of himself.”  It was with his sumptuous Concerto\, Op. 21 that he found his greatest professional triumph and left his most lasting mark on the music world.  It is a work now considered to be the absolute pinnacle of Romantic French chamber music. \nJohannes Brahms (1833 – 1897)\nString Quintet No. 2 in G major\, Op. 111 (1890) \nFranz Schubert (1797 – 1828)\nFantasia in F minor\, D. 940 (1828) \nIntermission \nErnest Chausson (1855 – 1899)\nConcerto for Violin\, Piano\, and String Quartet in D major\, Op. 21 (1891) \nManhattan Chamber Players \nMolly Carr\, Viola\nJosu De Solaun\, Piano\nLuke Fleming\, Viola\nFrancisco Fullana\, Violin\n Caroline Goulding\, Violin\nAndrew Janss\, Cello\nAnna Petrova\, Piano\nBrendan Speltz\, Violin
URL:https://manhattanchamberplayers.com/calendar/recital-at-dixon-hall-tulane-university-with-the-manhattan-chamber-players-for-the-crescent-city-chamber-music-festival-new-orleans-la/
LOCATION:Dixon Hall\, Tulane University\, 6823 St. Charles Ave.\, New Orleans\, LA\, 70118\, United States
ATTACH;FMTTYPE=image/jpeg:https://manhattanchamberplayers.com/wp-content/uploads/2016/03/Dixon.jpg
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DTSTART;TZID=America/Chicago:20160821T143000
DTEND;TZID=America/Chicago:20160821T160000
DTSTAMP:20260619T165241
CREATED:20160307T165637Z
LAST-MODIFIED:20160813T175011Z
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SUMMARY:Recital at Rayne Memorial United Methodist Church for the Crescent City Chamber Music Festival - New Orleans\, LA
DESCRIPTION:For more information on the Crescent City\n Chamber Music Festival\, please click here. \nPre-Concert Talk: 2:30 PM\nConcert: 3 PM \nThree Paths to Brilliance \nThis program juxtaposes movements of works written by great composers at the beginning of their careers with ones written when they had fully matured as artists. Far from showing that the later work is “better” than the earlier one\, all the selections on this program show the composer at his absolute best\, just in a different stage of his career and personal life. For Ludwig van Beethoven\, with his stormy personal life and after the tumultuous\, doomed relationships of his youth\, in late music (the selection on this program is from his last fully-completed work) there is often a sense of calm\, peaceful resignation. Felix Mendelssohn\, however\, was as precocious a musician who ever lived\, composing with seemingly effortless dexterity at the age of 14\, and developing into a fully matured conveyer of deeply personal writing. Antonín Dvořák was set on a path to follow his father’s footsteps and become a butcher in a small Czech town\, but at the last minute changed his mind\, moved to Prague to play viola in its opera orchestra\, and the rest is history. While his first\, self-taught efforts at composition were touch-and-go\, Dvořák’s works eventually caught the attention of Johannes Brahms\, who put him on the path to being one of the most famous composers in the world during his own lifetime. \nLudwig van Beethoven (1770 – 1827) \nString Quintet in C major\, Op. 29 (1801) – Presto\nString Quartet in F major\, Op. 135 (1826) – Lento assai\, cantante e tranquillo  \nAntonín Dvořák (1841 – 1904) \nRomance\, Op. 11 (1877)  \nFelix Mendelssohn (1809 – 1847) \nPiano Quartet No. 2 in F minor\, Op. 2 (1823) – Finale: Allegro molto vivace\nString Quintet No. 2 in Bb major\, Op. 87 (1845) – Adagio e lento \nAntonín Dvořák (1841 – 1904) \nPiano Quintet in A major\, Op. 81 (1887) – Finale: Allegro \nManhattan Chamber Players \nMolly Carr\, Viola\nJosu De Solaun\, Piano\nLuke Fleming\, Viola\nFrancisco Fullana\, Violin\n Caroline Goulding\, Violin\nAndrew Janss\, Cello\nAnna Petrova\, Piano
URL:https://manhattanchamberplayers.com/calendar/raynerecital-aug21/
LOCATION:AZ
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